子冶款三足石瓢紫砂壶

【藏品名称】：子冶款三足石瓢紫砂壶

[collection name]: ziye style three legged stone ladle purple sand pot

【藏品规格】：高7.5厘米 ，底11厘米

[collection Specification]: 7.5cm high and 11cm bottom

【藏品简介】：石瓢最早称为“石铫”，“铫”在《辞海》中释为“吊子，一种有柄，有流的小烹器”。“铫”从金属器皿变为陶器，最早见于北宋大学士苏轼《试院煎茶》诗：“且学公家作名钦，砖炉石铫行相随”。苏东坡把金属“铫”改为石“铫”，这“铫”也即后人所称的“东坡提梁”壶，可谓最早的紫砂“石铫”壶。最终改成石瓢，应从顾景舟时期说起，顾老引用古文“弱水三千，仅饮一瓢”，“石铫”应称“石瓢”。陈曼生与朱石梅分别在其参与的石铫壶铭文: "煮白石，泛绿云，一瓢细酌邀桐君"、"梅花一瓢，东阁招邀"。

[introduction to the collection]: the stone ladle was first called "Shiyao", and "Yao" is interpreted as "hanging son, a small cooking utensil with handle and flow" in Cihai“ "Yao" changed from metal ware to pottery, which was first seen in the poem "fried tea in the trial court" by Su Shi, a great scholar of the Northern Song Dynasty: "and the academic public made a famous Qin, followed by brick furnace and stone Yao". Su Dongpo changed the metal "Yao" to the stone "Yao". This "Yao", also known as the "Dongpo lifting beam" pot, can be described as the earliest purple sand "Shi Yao" pot. Finally, it should be changed into a stone ladle from Gu Jingzhou's period. Gu quoted the ancient saying "three thousand weak waters, only one ladle to drink", "stone Yao" should be called "stone ladle". Chen Mansheng and Zhu Shimei wrote inscriptions on the Shiyao pot they participated in: "boil white stone, green clouds, drink carefully and invite Tongjun", "plum blossom, invite Dongge".

由于历代制作石瓢壶的名家非常多，于是在传承的过程中便以具有代表意义的名家名字来作为紫砂壶款式名称，如典型代表有杨彭年、陈曼生、瞿子冶、朱石梅、王东石、顾景舟等人。瓢的整体共性是：石瓢壶以三足立身，即底置三足、身碓形、盖桥钮。而在从古自今的创作演变中，艺师会以个人的审美角度改良创新，如石瓢有圈把、提梁之别；由当代实力派艺师马璟辉改创的纳瓢等作品。在石瓢紫砂壶类最具代表的壶型之一即：子冶石瓢（瞿应绍，字子冶，号月壶，晚号瞿甫，又署老冶、壶公冶父，室名“毓秀堂”，官至浙江玉环同知，清中期书画家。最善画竹，兰、柳亦工，兼能书法篆刻）继曼生之后，又一位与紫砂壶艺术密切结合的文人，他将书法绘画与紫砂壶结合起来，开创了属于自己的文人风貌，人称“瞿壶”。

Because there are many famous masters making stone ladle pots in the past dynasties, they are inheritedIn the process, the famous names with representative significance are used as the style names of purple clay pots, such as Yang Pengnian, Chen Mansheng, Qu ziye, Zhu Shimei, Wang Dongshi, Gu Jingzhou, etc. The overall commonness of the ladle is that the stone ladle pot stands on three feet, that is, the bottom is equipped with three feet, the body is shaped like a pestle, and the bridge button is covered. In the evolution of creation from ancient times to today, artists will improve and innovate from a personal aesthetic point of view, such as the circle handle and lifting beam of stone ladle; Napai and other works created by Ma Jinghui, an artist of contemporary strength school. One of the most representative types of stone ladle purple clay pots is ziye stone ladle (Qu yingshao, Zi ye, No. Yue pot, No. Qu Fu in the evening). It is also named Laoye and Hugong Yefu. Its room name is "Yuxiu hall". It is known to Yuhuan, Zhejiang Province. It is a calligrapher and painter in the middle of the Qing Dynasty. He is good at painting bamboo, orchid and Liu Yigong, and can also calligraphy and seal cutting) after Mansheng, another scholar closely combined with the art of purple clay pot. He combined calligraphy and painting with purple clay pot and created his own literati style, known as "Qu pot".

紫砂器型丰富多样，有高有矮、有瘦有胖，造型不一，千姿百态，它用自身丰富的塑造感带给我们极为强烈的体验感受。尤其是那些经过时光考验，经过历史长河的洗礼的经典器型，其中的滋味又是更加浓厚的一番。在我们的石瓢上，经常出现的就是竹的题材，这件子治石瓢壶以三棋足为底，稳重韵雅，而自上而下的经典三角坡度，又尽显骨感与肉感。看似弯折的曲线，却又尽显劲道刚劲的力道。谦谦公子的形象，但是又不失烈士的高洁傲骨。整体线条纤细雅致，灵巧清趣，不为世俗沾染，不哗众取宠，就那么矗立在风雪春夏之中，竿如长枪，叶如利箭，顶天立地，洒利之感油然而生。正是这种高洁傲骨，却是我们最为欣赏与向往的，所以借壶自寓，以表达对此高洁的情操的赞美与向往。整体品相保留极好，为子治款紫砂壶之上品，具有极高的收藏价值和升值空间！

Purple sand ware is rich and diverse, ranging from high to low, thin to fat, with different shapes and various shapes. It brings us a very strong experience with its rich sense of shaping. Especially those classic utensils that have passed the test of time and the baptism of history, the taste is even stronger. On our stone ladle, the theme of bamboo often appears. This Zizhi stone ladle pot is based on three chess feet, which is stable and elegant, and the classic triangular slope from top to bottom shows the sense of bone and flesh. It looks like a curved curve, but it shows its strength. The image of a modest childe, but without losing the noble and arrogant character of a martyr. The whole line is slender and elegant, dexterous and interesting. It is not contaminated by the secular world or flattering the public. It stands in the wind, snow, spring and summer. The pole is like a long gun, and the leaf is like a sharp arrow. It stands upright and has a sense of profit. It is this noble and lofty character that we most appreciate and yearn for, so we use the pot to express our praise and yearning for this noble sentiment. The overall appearance is excellent. It is the top grade of Zizhi purple clay pot, with high collection value and appreciation space!